Reconstructing Feminine Identity in Margaret Atwood’s The Handmaid’s Tale

R. Dhanappriya, Dr. J. Uma Samundeeswari

Abstract


Society becomes the ultimate source of the individual’s anxiety.  Many feminist organizations have flourished to demand the essential rights of female.  The representation of woman in literature has been considered as one of the most important forms of socialization. Atwood’s characterisation interestingly reflects theoretic perspective in many ways. The connection between the internal being of her characters and social reality is so close and obvious their reaction and responses to social interactions are mostly psychological.  As social beings they are inevitably subjected to social reification, whereas as isolated individuals, they frequently retreat to their inner realm and are extremely vulnerable to psychological laws. This serves at least as a partial answer to the question of why life is so bleak for Atwood’s middle – class educated women.  The characters in the novel ‘The Handmaid’s Tale’ and their language purely reflect the inmost thought of feminine crisis in social myth.


Keywords


Feminism, socialism, economic, political revolution, gender inequalities.

Full Text:

PDF

References


Atwood, Margaret. The Edible Woman. 1969. London: Virago, 2006.

Chesler, Phyllis. Women and Madness. 1972. New York and London: Four Walls Eight Windows, 1997.

Cixous, Helene. ‘Sorties’. New French Feminisms: An Anthology. Eds. Elaine Marks and Isabelle de Courtivron.

London and New York: Harvester, 1981. 90-8.

Davey, Frank. Margaret Atwood: A Feminist Poetics. Vancouver: Talonbooks, 1984.

Eagleton, Mary. Ed. Feminist Literary Theory: A Reader. Oxford: Basil Blackwell, 1986.

Felman, Shoshana. ‘Women and Madness: the Critical Phallacy’. The Feminist Reader. 2nd ed., Ed. Catherine

Belsey and Jane Moore. London: Macmillan

Press, 1997.117-32 .

Grace, Sherrill. ‘Versions ofReality’. Violent Duality: A Study ofMargaret Atwood Ed. Ken Norris. Montreal:

Vehicule Press, 1980. 79-96.

Green, Gayle and Coppelia Kahn. Eds. Making A Difference: Feminist Literary Criticism. London and New York:

Methuen, 1985.

Jacobus, Mary. Ed. Women Writing and Writing about Women. London: Croom Helm in association with

Oxford University Women’s Studies Committee, 1979.

McLay, Catherine. ‘The Dark Voyage: The Edible Woman as Romance’. The Art of Margaret Atwood: Essays in Criticism. Eds. Arnold Davidson and Cathy Davidson. Toronto: Anansi, 1981. 123-38.

Millett, Kate. Sexual Politics. 1969. Urbana and Chicago: U of Illinois P, 2000.

Mitchell, Juliet. Psychoanalysis and Feminism: Freud, Reich, Laing and Women. New York: Vintage, 1974.


Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Journal of Language and Linguistic Studies
ISSN 1305-578X (Online)
Copyright © 2005-2022 by Journal of Language and Linguistic Studies