Marginalization of the female folk in Mahesh Dattani’s Dance Like a Man

Dr. P. N. Gunanidhi

Abstract


The discrimination of women is present outside and inside households. The patriarchal setup forces a woman to fuse her ‘self’ with that of a male member - be it the father, the husband, the brother or the son. Thus, the female is marginalised in a familial set up which is carried to the societal level. This paper aims to analyse this disparity in Dattani’s Dance Like a Man.


Keywords


Influence, Marginalization, Female.

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References


Chaudhuri, Asha Kuthari. Mahesh Dattani: An Introduction. Delhi: Foundation, 2005.

Dattani, Mahesh. Collected Plays. New Delhi: Penguin, 2000.

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Saikia, Shyamolima., “De-Stereotyping Ex-Centric Identities in a Few of Mahesh Dattani’s Plays in the Light of Performativity” Contemporary Literary Review. http://contemporaryliteraryreview.blogspot.in/. November 24, 2013.

Velmani, N., Dr. Mrs. "Mahesh Datani’s Dance Like a Man as an Epic Theatre."Language in India 13.4 (April 2013): 345 -53. Languageinindia.com Apr. 2013


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