Rap artists’ identity in archetypal roles of Hero and Seeker: A linguistic perspective
Abstract
Keywords
Full Text:
PDFReferences
Asap Rocky, A$AP Ferg, & Minaj, N. Runnin. Available online at: https://genius.com/Mike-will-made-it-a-ap-rocky-a-ap-ferg-and-nickiminaj-runnin-lyrics
Asap Rocky. 1Train. Available at https://genius.com/A-ap-rocky-1train-lyrics (last accessed 12/03/20)
Asap Rocky. Distorted Records. Available online at: https://genius.com/A-ap-rocky-distorted-records-lyrics
Asap Rocky. Everyday. Available online at: https://genius.com/A-ap-rocky-everyday-lyrics
Asap Rocky. Ghetto Symphony. Available online at: https://genius.com/A-ap-rocky-ghetto-symphony-lyrics
Asap Rocky. I come apart. Available online at: https://genius.com/A-ap-rocky-i-come-apart-lyrics
Asap Rocky. Kissin’ Pink. Available online at: https://genius.com/A-ap-rocky-kissin-pink-lyrics
Asap Rocky. M’s. Available online at: https://genius.com/A-ap-rocky-m-lyrics
Asap Rocky. Pain. Available online at: https://genius.com/A-ap-rocky-pain-lyrics
Asap Rocky. Phoenix. Available online at: https://genius.com/A-ap-rocky-phoenix-lyrics
Asap Rocky. Praise the Lord (Da Shine). Available online at: https://genius.com/A-ap-rocky-praise-the-lord-da-shine-lyrics
Asap Rocky. Suddenly. Available online at: https://genius.com/A-ap-rocky-suddenly-lyrics
Bach, K. (2012). Saying, meaning, and implicating. In A. Keith & K. M. Jaszczolt (Eds.), The Cambridge Handbook of Pragmatics (pp. 47-68). Cambridge: Cambridge University Press. DOI: 10.1017/CBO9781139022453
Bamberg, M., De Fina, A., & Schiffrin, D. (2011). Discourse and identity construction. In S. Schwartz, K. Luyckx & V. L. Vignoles (Eds.), Handbook of Identity Theory and Research (pp. 177-199). Berlin, Germany: Springer.
Bieliekhova, L. I. (2014). Methodology of explicating archetypes embodied in American poetic texts. Cognition, Communication, Discourse 9, 8-32. DOI: 10.26565/2218-2926-2014-09-01
Bodkin, M. (1934). Archetypal Patterns in Poetry: Psychological studies of imagination. London: Oxford University Press, H. Milford.
Brockmeier, J., & Carbaugh, D. (2001). Narrative and Identity: Studies in Autobiography, Self, and Culture. Amsterdam: John Benjamins.
Brunel, P. (1992). Companion to Literary Myths, Heroes and Archetypes. New York: Routledge.
Campbell, J. (1949). The Hero with a Thousand Faces. Princeton, New Jersey: Princeton University Press.
Campbell, J. (1988). The Inner Reaches of Outer Space: Metaphor as Myth and as Religion. New York: Harper and Row Publishers.
Donnetrice, A. (2012). Hip Hop, Identity, and African American Teens. International Journal of the Humanities 9 (6), 255-262.
Faber, M., Mayer, J. (2009). Resonance to archetypes in media: There’s some accounting for taste. Journal of Research in Personality 43 (3), 307-322.
Frazer, S. J. G. (1922). The Golden Bough. New York: Macmillan Publishing Company.
Frye, N. (2000). Anatomy of Criticism: Four Essays. Princeton, New Jersey: Princeton University Press.
Goffman, E. (1967). Interaction ritual. Essays on face-to-face behaviour. New York: Pantheon Books.
Grube, J. A., Piliavin, J. A. (2000). Role Identity, Organizational Experiences, and Volunteer Performance. Personality and Social Psychology Bulletin 26 (9), 1108-1119.
Haaken, J., Wallin-Rushman, J., Patange, S. (2012). Global hip-hop identities: Black youth, psychoanalytic action research, and the moving to the beat project. Journal of Community & Applied Social Psychology 22, 63-74.
Hodge, D. W. (2018). Homeland Insecurity: A Hip Hop Missiology for the Post – Civil Rights Context. Downers Grove, Illinois: InterVarsity Press.
Howard, W. L. (2010). Archetype. In Jackson II, L. Ronald & M. A. Hogg (Eds.), Encyclopedia of Identity, Vol. 1 (pp. 29-32). Thousand Oaks, California: SAGE Publications.
Indick, W. (2004). Movies and the Mind: Theories of the Great Psychoanalysts Applied to Film. Jefferson, North Carolina: McFarland Publishers, Inc.
Izod, J. (2001). Myth, Mind and the Screen: Understanding the Heroes of Our Time. Cambridge: Cambridge University Press.
Jones, R. A. (2003). Mixed Metaphors and Narrative Shifts: Archetypes. Theory and Psychology 13 (5), 651-672.
Juice WRLD. Empty. Available online at: https://genius.com/Juice-wrld-empty-lyrics
Jung, C. G. (1969). Archetypes and the Collective Unconscious. In H. Read, M. Fordham & G. Adler, (Eds.), Collected Works of C. G. Jung, Vol 9 (Part 1). Princeton, New Jersey: Princeton University Press.
Jung, C. G. (1976). Psychological types. In G. Adler (Ed.), Collected Works of C. G. Jung, Vol 6. Princeton, New Jersey: Princeton University Press.
Kravchenko, N. K. (2019). Biblical intertextuality devices in African American rap texts (based on the Kendrick Lamar’s album “Damnâ€). International journal of philology 10 (2), 12-17
Kravchenko, N., Pasternak, T. (2018a). Multifacet Pragmatics of Russian Post-soviet Jokes. The languages of Humor: Jokes Caricatures & Slapstick (pp. 120-136). London: Bloomsbury Publishing Plc.
Kravchenko, N., Pasternak, T. (2018b). Claim for identity or personality face: The Oscar winners' dilemma. Lege artis. Language yesterday, today, tomorrow. The journal of University of SS Cyril and Methodius in Trnava III (1), 142-178.
Kravchenko, N., Snitsar, V. (2019). Cultural archetypes in the construction of “possible worlds†of modern African-American rap (based on Kendrick Lamar’s texts). Euromentor Journal X (4), 80-92.
Kravchenko, N., Snitsar, V., Blidchenko-Naiko, V. (2020). Paradoxes of rap artists’ role identity: Sage, Magician or Trickster? Cogito. Multidisciplinary research journal XII (1), 179-195.
Lakoff, G. & Johnson, M. (1980). Metaphors We Live By. Chicago: University of Chicago Press.
Lamar, K. DNA. Available online at: https://genius.com/Kendrick-lamar-dna-lyrics
Lamar, K. Duckworth. Available online at: https://genius.com/Kendrick-lamar-duckworth-lyrics
Lamar, K. Fear. Available online at: https://genius.com/Kendrick-lamar-fear-lyrics
Lamar, K. Feel. Available online at: https://genius.com/Kendrick-lamar-feel-lyrics
Lamar, K. How Much a Dollar Cost. Available online at: https://genius.com/Kendrick-lamar-how-much-a-dollar-cost-lyrics
Lamar, K. Levitate. Available online at: https://genius.com/Kendrick-lamar-untitled-07-2014-2016-lyrics
Lamar, K. Loyalty. Available online at: https://genius.com/Kendrick-lamar-loyalty-lyrics
Lamar, K. Mortal Man. Available online at: https://genius.com/Kendrick-lamar-mortal-man-lyrics
Lamar, K. Radioactive. Available online at: https://genius.com/Imagine-dragons-radioactive-remix-lyrics
Lindenfeld, D. (2009). Jungian archetypes and the discourse of history. Rethinking History 13 (2), 217-234.
Pearson, C. S. (1995) Awakening the Heroes Within: Twelve Archetypes to Help Us Find Ourselves and Transform Our World. New York: Routledge.
Pearson, J. L., & Dollinger, S. J. (2004). Music preference correlates of Jungian types. Personality and Individual Differences 36, 1005-1008.
Propp, V. (1968). Morphology of the Folktale. Austin: University of Texas Press.
Raglan, F. R. S. (2011). The Hero: A Study in Tradition, Myth and Drama. Mineola, New York: Dover Publications.
Sacks, H. (1992). Lectures on conversation. Oxford: Wiley-Blackwell.
Shadraconis, S. (2013). Leaders and Heroes: Modern Day Archetypes. LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University 3(1), Article 15. Available online at: https://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1048&context=lux
Simpson, P. (2004). Stylistics: A resource book for students. London: Routledge.
Stebbins, R. (2013). Role distance, activity distance, and the dramaturgical metaphor. In Ch. Edgley (Ed.), The Drama of Social Life: A Dramaturgical Handbook (pp. 123-136). Surrey, UK: Ashgate.
Spencer-Oatey, H. (2007). Theories of identity and the analysis of face. Journal of Pragmatics 39 (4), 639-656.
Steen, G., Dorst, A. G., Herrmann, J. B., Kaal, A., & Krennmayr, T. (2010). Metaphor in usage. Cognitive Linguistics 21(4), 765-796.
Stokoe, E. (2012). Moving forward with membership categorization analysis: Methods for systematic analysis. Discourse Studies 14(3), 277-303.
Tsur, R. (1992). Toward a Theory of Cognitive Poetics. Amsterdam: Elsevier Science Publishers.
Tyler, the Creator. Bastard. Available online at: https://genius.com/Tyler-the-creator-bastard-lyrics (last accessed 12/03/20)
Tyler, the Creator. Foreword. Available online at: https://genius.com/Tyler-the-creator-foreword-lyrics
Tyler, the Creator. I Ain’t got Time! Available online at: https://genius.com/Tyler-the-creator-i-aint-got-time-lyrics
Tyler, the Creator. November. Available online at: https://genius.com/Tyler-the-creator-november-lyrics
Tyler, the Creator. Pilot. Available online at: https://genius.com/Tyler-the-creator-pilot-lyrics
Tyler, the Creator. See You Again. Available online at: https://genius.com/Tyler-the-creator-see-you-again-lyrics
Van Den Akker, R., Gibbons, A., & Vermeulen, T. (2017). Metamodernism: Historicity, Affect and Depth after Postmodernism (Radical Cultural Studies). London; New York: Rowman & Littlefield International.
XXXTENTACION. Infinity (888). Available online at: https://genius.com/Xxxtentacion-infinity-888-lyrics
Zhykharieva, O. (2014). Representation of natural disasters in English biblical discourse: semantic-narrative aspect. Scientific Proceedings of the National University of “Ostroh Academyâ€. “Philology†Series 48, 57-59.
Zhykharieva, O. (2018). Ecopoetics of English biblical discourse: concepts, images, narrations. Kyiv: KNLU.
Refbacks
- There are currently no refbacks.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
ISSN 1305-578X (Online)
Copyright © 2005-2022 by Journal of Language and Linguistic Studies